arbitify
This absolutely smokes. Combining free jazz and drone with this choice of instrumentation and musicians of this calibre produces one of the albums of the year. A terrific surprise.
Nick Zammas
If this is your bag, check a band called France. Bass/drum/hurdy-gurdy. Hourlong steadfast freakouts in this precise vein. All Hail True Austin Psych Drone.
There is something really special about music based on drones. Whether it's the vocals of Pandit Pran Nath, the ARP 2500 of Eliane Radigue, or the nearly-blown amps of Sunn O))), by changing the listeners's focus on details to one that favors flow, drones are uniquely capable of transporting our brains far far away. The debut LP, 'Repeater', by this loudly droning Austin septet is a goddamn splendid example of how the process works. Using the motto, “Maximal Repetition Minimal Deviation,” Water Damage create glowing fields of post-rock lava that pretty much suck you right in and boil you alive.
Water Damage, while technically a septet, actually operate in various configurations, with the proviso there should always be two drummers and two bass players on hand. They prefer if each of their sonic ideas takes up a whole reel of tape, and once they start they don't look back. Everything proceeds towards an imaginary end point that is only achieved when the tape starts flapping. What a way to run a railroad!
But the folks in the band are all vets of various projects – Spray Paint, USA/Mexico, Marriage, Black Eyes, Thor & Friends, among others -- so let's assume they know what they're doing. And why not? They sound fucking great. Their approach to the form is less front-loaded than most of their peers, and the surface of their sound is sometimes ruffled by aural events of an un-drone-like nature. But the main gush is usually a blend of harmonic tones and textures pointing towards a goal that is just out of
ear-shot, just over the next bluff, and perhaps forever just beyond our reach.
So remember to drink plenty liquid while you spin this fine album. Nobody wants you to parch.
--Byron Coley
credits
released April 29, 2022
Bass : Nate Cross
Bass : Jeff Piwonka
Bowed Guitar : Travis Austin
Drums : Thor Harris
Drums : Greg Piwonka
Drums : Mike Kanin
Synthesizer : George Dishner
Engineered and mixed by Max Deems at Diseased Tapes Billion Dollar Studio
Mastered by Carl Saff
P&C 2022 Water Damage under license to 12XU
Published by Water Damage the band from Texas LLC
Long-form trance-y rhythmic jams, with a fun shambling edge, sounding like a cross between music from Africa's Sahel region crossed with a Tom Waits instrumental... Jascha Narveson
"No Island" sort of springs out of nowhere, and fills that void with a full and vibrant whole that is much more than the sum of its parts, it sublimates at least thirty years of alternative rock and blends noise-rock, ambient, drone, dream-pop, garage-rock, psychedelia, deforms previous languages and creates a new one capable of telling a new world.
paolo latini
My god, what an absolutely incredible Suite. I'll admit, I've struggled to get into Pharoah Sanders due to diving headfirst into some of his most challenging catalogue and that never worked. This is the perfect place to restart. Floating Points is new for me and I can honestly say I've never heard synthesizer music this lush and organic before. the LSO is just perfect. This is one of those albums that any serious music fan needs in their life. The perfect swan song for the great Pharaoh! 5/5 ClassyMusicSnob
A new compilation of studio recordings and live rarities captures another side of ’90s experimentalists Gastr del Sol. Bandcamp New & Notable Mar 27, 2024
Recorded after overcoming serious physical issues, joy and und radiate from every note of trumpeter Steph Richard's incredible new LP. Bandcamp New & Notable Mar 23, 2024
Opener absolutely rips. Falls into the ranks of tracks like “Dance” by ESG, “Eisbaer” by Grauzone, “Damaged Goods” by Gang of Four or like the album description says Kleenex. This is some really good stuff. Favorite song is the opener but dedicate “Blue” to my friend Blue who lost her life at 22, she would have loved this album. TheBloodofChrist